We don’t just like computers, we love them. We have an emotional connection to them, and suggesting that we let someone else own, manage, and tweak them is like suggesting we get rid of what we love — just the thought of it offends.
The construction of a security fence will begin on June 7 and will continue 24 hours a day until it is completed
No “friending” is needed to gain access [to the web]; no company is in sole possession of the interconnections.

Today’s entry in the Department of What the Fuck, brought to you by Eric Holder.

Another video from the Department of What the Fuck. Apparently this is real.

Not From The Onion: PA Big Brother

David Stone, who planned to shoot a policeman, bomb his funeral, then retreat to the countryside to fight the U.S. Army, has been charged in a federal district court, and no one seems to find that problematic.

Faisal Shahzad, who tried to blow up a car bomb in Times Square, has been charged in federal district court, and a whole lot of people seem to find that problematic.

Shahzad, but not the Hutaree, it seems, should be tried by the military, despite both being U.S. citizens who attempted their acts on U.S. soil.

And what, exactly is the difference between the two men?

What the fuck.

(via This is Your War on Drugs)

[The automotive sector bailouts were] sheer political theater, and incredibly corrosive to public trust in our government institutions, as well as a gross misallocation of economic resources. The role of the state is to prevent human suffering, not prop up failing enterprises that happen to have politically well-connected employees.
Abramović is seated in [the atrium] for the duration of the exhibition, performing her new work The Artist Is Present for seven hours, five days a week, and ten hours on Fridays. Visitors are invited to sit silently with the artist for a duration of their choosing.
When we look at technology we tend to see pipes and blinking lights. But in the long-term view, technology is simply the evolution of evolution’s evolution.

Here’s the mistake we make in high school:

We let anyone, just anyone, judge our work (and by extension, judge us.)

Sue, the airheaded but long-legged girl in Spanish class gets the right to judge our appearance.

Bill, the bitter former-poet English teacher gets the power to tell us if we’re good at writing.

And on and on.

The cheerleaders are deputized as the Supreme Court of social popularity, and the gym teacher forever has dibs on whether or not we’re macho enough to make it in the world. These are patterns we sign up for, and they last forever (or until we tell them to go away).

In high school, some people learn to ship, they learn to do work that matters and most of all, they learn to ignore the critics they can never possibly please. The ability to choose who judges your work—the people who will make it better, use it and reward you—is the key building block in becoming an artist in whatever you do.

The Clavilux 2000 is an interactive instrument for generative music visualization, which is able to generate a live visualization of any music played on a digital piano.

We’re fully aware that not everyone is in agreement with our views on copyright legislation, but that doesn’t mean that we don’t have the right to encourage the people who do agree to have their voices heard. Isn’t that what defines a democracy? According to IP-lawyer Richard Owens, it isn’t.

Census research suggests that, within a particular size interval, more than 20 million types of bacteria live in sea water. However, Dr. Baross notes: “The total number of species of marine microbes, including both bacteria and archaea, based on molecular characterization, is likely closer to a billion.”